No need for fanfare, or any form of ticker-tape parade, Billsworth is back. Slightly revamped and sporting a jaunty new cap, the blog that never really gave much, returns to serve up even less, as it regales you with tales of daring-do from the world of the employmently (and perhaps grammatically) challenged.
Not being one to make a fuss, I've chosen this astounding piece of kitchen sink realism to be the first new image to grace these pages. That said, it is an elegant lesson in plastique minimalism which brings a smile to mien fleshy facial protuberances, every time I look at it. uPVC is a ubiquitous beast that many an impoverished homeowner has been forced to invest in due to the crippling cost of double glazed wooden sashes, but dammit it all, I think it looks good. Its twin went into our en-suite bathroom, and new doors now grace the rear entrance and the balcony. I've had the Mondrian hung in the West Wing and faithful Farnsworth is polishing the Buconium chandelier in the Bassoon Hall as we speak.
Being as I am, a man of enforced leisure, I get to dip my toe, and in some cases my entire body, into the dark and murky waters of the Day Borne Dead (TM). Those that wander listlessly through streets and supermarket isles during the daylight hours, desperately throttling time, while time gently and methodically chokes them back. I could of course slide into utter catatonia by suckling on the cankered narcotic teat of day-time telly, but this is an end of days activity; a point (I'm fairly sure) I haven't reached just yet.
So instead, I shall blog. Who knows, perhaps the novel everyone keeps banging on about, lurking dormant in some primordial recess of my brain, will lurch and stumble into action. Hell, it sure beats watching Jeremy Kyle.
Tuesday, October 20, 2009
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2 comments:
O HAI
I never thought I'd see the day.
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